I’ve only cruised twice. Any readers of The Wanderer or my Cruising in my 20s blog series will know that. But there’s something so incredibly alluring about the sheer escape of it all – the sense of stepping into a world designed entirely around comfort, beauty, and quiet indulgence, a way of holidaying that feels so chic, plucked from the golden era of travel. That’s what draws me in. And when I started reading about Cunard Queen Anne, the newest addition to the Cunard fleet, I found myself properly intrigued.
Her debut in 2024 meant that she was Cunard’s first new ship in over a decade, and while I haven’t been on board (...yet?), what I’ve seen and read so far is very tempting – especially if, like me, you’re drawn to cleverly designed interiors, true timeless style, and the kind of elegance that feels lightyears away from daily life.
Naturally, Queen Anne is a ship that honours Cunard’s long tradition of regal, refined cruising, but it also gently updates the formula. Nothing too drastic, just old-world glamour without the formality – a ship that nods to the golden age of travel, but with a more contemporary, light-handed approach.
Her profile carries the unmistakable Cunard silhouette and that famous red funnel, but what’s inside is where it really gets interesting.
As someone who pays keen attention to interiors, Queen Anne’s design pedigree is nothing short of impressive. Cunard enlisted David Collins Studio (the team behind Claridge’s Bar and Harrods), along with Richmond International and Sybille de Margerie, to bring the ship’s spaces to life.
And they haven’t gone for flashy. This is quiet luxury: soft palettes inspired by the sea and sky, curved lines that mirror ocean swells, and a surprising amount of texture – brushed metals, marbles, and layered fabrics that give the spaces warmth and presence. I love the idea that the same care and intention you’d find in a top London hotel has been translated to life at sea.
The Grand Lobby, for example, features a sweeping staircase and a digital sculpture by Dominic Harris that responds to movement. It’s a clever blend of old and new – classic structure, modern soul, and so archetypally Cunard.
There’s a calm and cocooning feel to the accommodation. Even the entry-level Britannia staterooms feature fresh new colour schemes and tailored furnishings, while those opting for a Queens Grill suite can expect walk-in wardrobes, marble bathrooms, and access to private dining and lounge areas.
One of my personal favourites is the Queens Grill Master Suite – a true private residence at sea that spans around 896 square feet. What really caught my eye (or rather, made me wish I was there) is the striking emerald velvet sofa with delicate pink accents, a bold yet elegant statement that perfectly balances comfort with style.
The Master Suite truly offers everything you could want from luxury cruising: floor-to-ceiling windows in the spacious Great Room, a separate dining room, and a bedroom featuring the iconic Cunarder bed, configurable as a king-size or twin. There’s a bathroom with both a bathtub and a walk-in shower, and a generous private balcony with sea views.
The suite also includes thoughtful touches like Penhaligon’s toiletries, a pillow concierge with seven types to choose from, a complimentary mini-bar stocked with your favourites, and a welcome bottle of Champagne. Service here is of course impeccable, with a dedicated butler and steward on hand to make sure every single second your stay is flawless.
Exclusive access to the Queens Grill Restaurant, Grills Lounge, and Terrace, along with priority embarkation rounds out the experience, making the Master Suite - for me - the ultimate sanctuary and a standout example of Cunard’s quietly confident luxury.
It’s that kind of detail that elevates the entire experience. Having spaces that feel considered, not just functional. It’s the difference between “a room on a ship” and a place you genuinely look forward to returning to after dinner.
Dining has always been central to the Cunard cruise experience, and Queen Anne expands the offering in a fresh and updated direction. The Britannia Restaurant remains the centrepiece, with grand double-height ceilings and a design that puts a contemporary spin on ocean liner glamour, but there are also new flavours to discover. Aji Wa serves up Japanese cuisine in a minimalist but light-filled setting. Aranya’s menu is Indian dishes with a bold flair. And even the much-loved Golden Lion pub has had a David Collins Studio makeover. It’s now softer, richer, and undeniably stylish.
Beyond the restaurants and suites, Queen Anne is of course filled with spaces designed to slow you down. The Pavilion - a pool and lounge space with a retractable glass dome - is ideal for reading, relaxing, or just taking in the view.
There’s a wellness studio, too, and an ocean-facing sauna tucked into the Mareel Wellness & Beauty space. And if you’re after something a little more lively, there’s the Bright Lights Society – an exciting new cabaret-style venue for cocktails and performance.
Every corner feels intentionally designed, which, for me, is part of what makes a cruise feel so luxurious. It’s not just about the destination, it’s the sheer pleasure of the spaces you can relax in while on your way there.
While I may not be a true cruise expert just yet, I know what I’m drawn to: beautiful interiors, seamless service, and a chance for my holiday to feel worlds away from everyday life. From everything I’ve seen, the Cunard Queen Anne promises all of that and more.
Whether you’re a seasoned cruiser or just beginning to dip your toes into the world of Cunard cruises, Queen Anne is a refined and considered way to travel – a ship that is just as inspiring as the destinations on the horizon...
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*Available at an additional cost
^Included when staying in a Britannia Club Balcony stateroom
+Included when staying in a Queens Grill Suite
** Included when staying in a Princess Grill Suite